Trowbridge Symphony Orchestra

Past Concerts

Saturday November 17th 2018 St. James' Church, Trowbridge


Nordic Legends

Conductor: Phil DraiseyLeader: Carmen Tunney
WilliamsHymn to the Fallen
SibeliusViolin ConcertoSoloist - Rachel Stonham
SibeliusValse Triste
GriegPeer Gynt - Suites 1 & 2

FOR their autumn concert, the Trowbridge Symphony Orchestra took over St James' Church in their home town for an evening celebrating two of Scandinavia's biggest names in classical music, Norway's Edvard Grieg and Finland's Jean Sibelius.
But first, in a tribute to the recent Armistice centenary, the orchestra began with John Williams' Hymn to the Fallen, from Saving Private Ryan. Much as the piece diverted from the concert's overall theme, it was a fitting opening number. It was performed so well that the absence of vocals was not even noticeable.
The strings section truly led the way in this particular concert. But the star of the show was the soloist, whose incandescent talent provoked no little comment across the venue. Trowbridge's 17-year-old Rachel Stonham, a former student of TSO leader Carmen Tunney, impressed with an effortless display of confidence and almost military control and discipline over her instrument. A level of talent we have seen in the likes of Itzhak Perlman, Sarah Chang, Nicola Benedetti, and even the great Yehudi Menuhin.
Stonham shone in her performance of Sibelius' Violin Concerto, the movements of which successfully transitioned between the mournful and harrowing to the mischievous and fiery at the end.
Lighter notes followed in the second half, where the orchestra remained with Sibelius in a seamless performance of the Valse Triste. Again, it was the violins, violas and cellos that helped capture the playful alternation between the energetic and sorrowful moods.
Rounding off the concert, we heard a full rendition of both of Grieg's Peer Gynt Suites. Beginning with the lesser-known Suite No. 2, whose tones are far more violent, distressing and chaotic, as they tell tales of abduction and disaster until the understated, sad ending. In Suite No. 1, the section that truly stood out was the sorrowful and grief-riddled Death of Åse, in which the audience could join the hero as he mourns his mother.
The orchestra truly came together as one for what could not have been a better finale. The bit that everyone knows - In The Hall of the Mountain King. With conductor Philip Draisey's calm but firm control and direction, each artist in their own right succeeded in depicting that slow development from the quiet creeping to the chaotic crescendo.
Once again, the Trowbridge Symphony Orchestra never fails to impress or deliver an incomparable musical experience. This can be in part down to the leadership of Philip Draisey and Carmen Tunney, but also in their own respective talents as musicians. It would be impossible to name any one orchestra member who stood out - they all did equally extraordinarily.
DALE HURST

Saturday July 7th 2018 Holy Trinity Church, Bradford on Avon

Titans of Austria

Conductor: Phil DraiseyLeader: Carmen Tunney
MozartMagic Flute Overture
R StraussFour Last SongsSoloist Sian Dicker
MahlerSymphony no.1
While the rest of the country was celebrating England's victory over Sweden on Saturday, the Trowbridge Symphony Orchestra took over the Holy Trinity Church in Bradford-on-Avon to pay tribute to something quite different.
Three of the biggest names in classical music to come out of Austria, to be precise. A stunning programme of Strauss, Mozart and Mahler lay in store for the audience.

First, the Overture of The Magic Flute, the last opera Mozart wrote before his death. Here, the orchestra in its entirety successfully emulated the composer's blend of fantasy, comedy and tragedy, almost leaving the audience wanting to hear the rest of the opera afterwards.
But instead, the second section was left in the capable hands and incomparable voice of the singularly-gifted soprano soloist Sian Dicker with Richard Strauss' The Last Four Songs.

Simply exquisite. The flawless capture of the melancholy and romance in each song was undeniable, all within Dicker's glittering vibrato voice. With their largest orchestra to date, 70-something musicians, Dicker would have been forgiven for being dominated by the sounds around her. But instead, she took each song and made it her own.

Commendation should go to the command, control and clarity of conductor Phil Draisey, who almost became the eponymous Titan in his fierce direction of the final part of the concert.

Mahler's 1st Symphony (The Titan). And in the composer's 158th birthday, no less

In this section, the entire orchestra shone as they captured the essence and emotion in every movement, from the natural tranquility and simmering rage at the beginning to the chaos and devastation for the finale. With crescendo after crescendo, it was impossible not to be entertained.

The strings, percussion and brass sections deserve great commendation. In particular, all the French Horn players, timpanist Daniel Watt and harpist Ben Creighton Griffiths. Each are a credit to their instrument and their craft in helping bring together the mesmerising performance.

As ever, under the master leadership of conductor Draisey and leader Carmen Tunney, the Trowbridge Symphony Orchestra delivered another extraordinary performance that will keep us looking forward to their next concert.

Saturday July 7th 2018 Holy Trinity Church, Bradford on Avon



Conductor: Phil DraiseyLeader: Carmen Tunney
Shostakovitch Suite for Variety Orchestra (Jazz Suite No. 2)
GershwinRhapsody in BlueSoloist - Jacob Byrne
Rimsky-KorsakovScheherazade

Here's a first - reviewing a classical music concert. Behind food, music is probably my greatest love. All genres including jazz, classic rock, soul and reggae. Classical is my favourite. I had occasion to visit Wiltshire a couple of weeks back and, with the demand for a variety of content, including that concerning music, entertainment and events, I thought here would be a good place to start.

Putting an American and two Russians in the same room these days is likely to lead to a highly volatile situation. Or it may be the start of a joke - An American and two Russians walk into a bar- I'll let you come up with your own punchlines for that one

What it does make for is a highly ambitious and entertaining musical programme. The show, which was sold out on a very snowy St. Patrick's Day, opened with a full performance of the Jazz Suite #2 by Dmitri Shostakovich. You'll know the famous waltz when you hear it- it's unmistakable.

It was a strange feeling listening to this music. Half the time, with the resonant string sections, one felt transported to Russia of the era of the Tsars and the grandeur of the Romanovs. Like you were standing in the ballroom of one of the imperial palaces. On the other hand, however, with the dominant brass sounds, it was like being by the seaside near the bandstand. Saxophones drowned out the trombones in places, but otherwise a uniform performance.

Following that, a piano was wheeled out and in with it came the evening's soloist, Jacob Byrne. This was to play George Gershwin's Rhapsody in Blue - a piece where classical and jazz start to meld into one. From the opening clarinet solo. For the film buffs among the readership, this may ring a few bells from Woody Allen's Manhatten. Close your eyes and you might find yourself in downtown New York. The loneliness suggested by the noticeable silence and drop in atmosphere with every piano solo from Byrne could just as well set the scene of a Neo-Noir movie.

Byrne demonstrated his skills as a musician, and conductor Phil Draisey did the same on the piano for the first of two encores. Byrne had transposed Gershwin's Chinese Blues for piano duet, with the conductor serving as his second. A solo piece from Debussy followed.

Personally, I have never been fond of Rimsky-Korsakov's music. You may recognise Flight of the Bumblebee upon hearing it, but arguably one of his most famous pieces is Scheherazade. If you're not aware, Scheherazade is the narrator of the One Thousand and One Arabian Nights, the stories that also gave us Aladdin, Sinbad and Ali Baba. Chaos, fire and drama - all were brought out in the TSO's rendition. So much so that I may well have been converted to enjoy the piece.

Well, rumour has it, they're having a Movie Music concert sometime in the future - I personally can't wait.

Saturday 24th June 2017

St. James Church, Trowbridge

Conductor: Phil DraiseyLeader: Carmen Tunney
RossiniOverture Barber of Seville
FaureMasques et Bergamasques
DeliusWalk to the Paradise Garden
ElgarRomance for Bassoon and Orchestra
BrahmsSymphony No. 4

Saturday 25th March 2017

Wiltshire Music Centre

Conductor: Phil DraiseyLeader: Carmen Tunney
Rimsky-KorsakovMay Night Overture
ShostakovichPiano concerto No. 2Soloist: Jacob Byrne
TchaikovskySymphony No. 5

Saturday 19th November 2016

St. James Church, Trowbridge

Conductor: Phil DraiseyLeader: Carmen Tunney
BeethovenCoriolan Overture
BrahmsSerenade No. 2 in A
BeethovenSymphony No. 3 Eroica

Saturday 18th June 2016

Holy Trinity Church, Trowbridge

Conductor: Gareth HarrisLeader: Carmen Tunney
ButterworthThe Banks of Green Willow
SmetanaFrom Bohemia"s Woods and Fields
CurranRomance for Orchestra (1st Performance)
DvorakSymphony No. 8